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since 2008

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OUT OF ORDER
By Ray Cooney
Directed by Susan Voorhees
November 2, 3, 8, 9 at 7pm
November 4 & 10 at 3pm
Tickets $20 in advance - $25 at the door

Out of Order is a 1990 farce written by Ray Cooney, the author of our popular production of Run For Your Wife several years ago. The play opens in a posh hotel where a politician meets a secretary of the opposing party for an illicit affair. He then finds himself spending the rest of the play trying to lie his way out of the situation with the help of his personal secretary.

This hilarious romp features a cheeky waiter, a determined hotel manager, a persistent maid and a dead body among its main characters. Out of Order won London’s Lawrence Olivier Award for “Comedy of the Year” and is always a popular hit wherever it is performed.

GUYS and DOLLS
By Frank Loesser
Directed by Marcy Miller
Musical Director Murry Holmstrom

January 17-19 and 24-26 at 7pm
January 20 & 27 at 3pm
Tickets $20 in advance - $25 at door

​​Guys and Dolls is a musical romantic comedy involving the unlikeliest of pairings: a high-rolling gambler wooing a puritanical missionary and a showgirl dreaming of marriage with a crap game manager who is anything but.

Set in the Manhattan of Damon Runyon’s short stories and showcasing colorful characters including driven gamblers, petty racketeers, and chewing gum-smacking showgirls, Guys and Dolls tells of con-man Nathan Detroit’s efforts to set up a floating crap game while avoiding the wrath of his fiancé, the delightful Miss Adelaide (who is desperate to marry Nathan after a 14 -year engagement).

Guys and Dolls features some of Frank Loesser’s most memorable tunes, including the hilarious “Adelaide’s Lament,” the romantic “I’ve Never Been in Love Before,” the exuberant “If I Were a Bell,” and the classic “Luck Be a Lady."
HAY FEVER
by Noel Coward
Dircted by Regina Ford
March 29-30 and April 4-5 at 7:00 pm
March 31 and April 6 at 3:00 pm
Tickets: $20 in advance – $25 at door
Hay Fever is one of Noel Coward’s most durable comedies, continuing to delight audiences with its astute observations on family relationships and rivalries. The action takes place in the house of the Bliss family over the course of a weekend. Judith Bliss, a retired actress, her writer husband David, and their two grown-up children, Simon and Sorel, have all privately invited guests for the weekend, unbeknownst to anyone else. As the guests arrive, it becomes clear that it is not them who will be the problem, but the family themselves. Although Judith has supposedly retired from the stage, the nightmare weekend becomes her own private play, and her family become the supporting actors.

Over the top and theatrical in their actions, the Bliss family delight in winding each other up and provoking a dramatic reaction from each other. As the weekend wears on, each guest pairs off with the wrong person with dramatic effects. The New York Times described the show as “An evening of intoxicating escape,” and The New York Post characterized it as “Light, luminous, and charming, and hilariously funny!”